Notes

 

These drabbles, which are roughly in chronological order, were written over the period of January 2004–December 2005 at http://community.livejournal.com/lawandorder100/ and

http://community.livejournal.com/svu100/

 

They were composed in response to various challenges that ran the gamut from Dylan lyrics to Shakespeare, crossovers to AUs, dialogue only to haikus, music lyrics, episode titles, and anything else you can imagine. (Both communities were blessed with very creative moderators.)  They are mostly Alex/Olivia in nature, but feature other pairings as well (including Abbie/Olivia).

 

 

1. First Date

 

As first dates went, it wasnÕt disastrously bad—Alex had practically an encyclopedia of those, from A (Assholes) to V (Vomiting on Self and Waiter); spilt wine, awkward silences, heated law debates were nothing. In the cab she was drunk enough to get angry and defensive: You think IÕm a bitch. You think IÕm cold. You think I only care about my career. SheÕd thought Olivia had only kissed her to shut her up. 

The next morning, cloaked in hangover, she woke to church bells, deliciously aware of OliviaÕs face pressed between her shoulder blades, and that voice—your apartment is freezing—a sweet reverberation sweeping through AlexÕs chest, gently piercing her heart truer than any arrow.

 

 

2. Fifth Wheel

 

When the SVU detectives finally invited Casey along on their regular Friday-night drinkfest, the hapless ADA thought her luck was changing.

 

Still, she bitched about work. 



 

ÒYou think your jobÕs hard?Ó Olivia countered. She hiked up her sweater. ÒSumbitch nailed with a switchblade last year.Ó



 

Casey saw not the thin, pearly scar but a magnificent, toned torso and a black bra that hinted at bountiful treasure. 



 

Elliot yanked down the sweater like a window shade. ÒYouÕre shut off.Ó He steered his partner away. 



 

Casey watched them leave.

 

Munch clapped an affectionate hand upon her shoulder. ÒSame time, next week?Ó he slurred.


 

ÒOh yeah,Ó Casey said breathlessly.

 

 

3. The Hokey-Pokey

 


ÒSo he cornered me after the reception—Ò



 

ÒDidja kick him in the balls?Ó



 

Ò—and itÕs time for another episode of ÔOlivia Benson: Pacifist Policewoman.Õ Anyway, heÕs looming over me, reeking of bourbonÉ.ÔAlexandruuuuh,Õ he says in that fucking Hee-Haw accent, ÔAh hear yÕall are doinÕ the hokey-pokey with one of your detectives.ÕÓ



 

ÒHe called it that?Ó



 

Immersed in giggling, they failed to notice Arthur standing in the doorway. 



 

ÒGotta work on that accent a bit more, Alexandra,Ó he drawled, and then left.



 

ÒJust my luck,Ó Alex sighed.



 

ÒAt least he didnÕt catch us doing the hokey-pokey.Ó



 

ÒYouÕre not going to start calling it that, are you?Ó

 

 

4. Honey White

It was nothing she expected and everything she wanted: The genteel prison of AlexÕs hands pinning her wrists, milky skin luminous as a star, the silky slither of muscles in her throat—peristalsis was the term for it (thank you, Warner)—as she came.
 She dominated, she yielded. She said you are so beautiful and fuck me harder in the span of one dizzying breath. She clawed OliviaÕs back, then kissed those bloodied, burning marks—a sweet sanctification. When Olivia lay over the knifepoint of exhaustion, broken and anointed with the musk of her scent, she said, WeÕre not done yet.
 Olivia knew then that this longing, which she had sought to cure in Alex's bed, would never abate.

 

5. Einstein in the Mosh Pit

The incongruity of Warner in a cop bar—she never went out for drinks with them—was akin to Einstein in a mosh pit. ÒDo you know thereÕs a direct correlation between over consumption of beer and gout?Ó



 

ÒUh, no.Ó Olivia watched Elliot shoulder his way to the bar for another pitcher. 



 

Melinda shifted, their knees bumped, seemingly innocently. Under the table, a warm hand wrapped over hers. A flush of heat spilled across the nape of OliviaÕs neck. 

ÒHave I mentioned that IÕm separated from my husband?Ó



 

ÒI canÕt promise you anything.Ó



 

ÒAnd even if you did,Ó Melinda replied, ÒI wouldnÕt believe you.Ó

 

6. Positively 4th Street


Midnight. Tepid coffee, frost on the windshield, boredom. 



He watches the shadows along her profile. He knows her better than anyone. Even the woman who loved her, who probably still loves her, who will probably always love her. He spins his wedding ring—loosened on his finger by the bitter cold—as if it will somehow weave a powerful spell to protect him from his own heart. 

He can be her brother, her partner, her best friend. Beyond that? 



Olivia looks at him. ÒWhat?Ó



The suspect leaves his apartment, saunters down 4th Street.



ÒNothing.Ó Elliot starts the car.

 

7. Tangled Up in Blue


ÒIÕm off!Ó Jauntily, Casey tossed the long blue scarf over her shoulder.



Mary frowned. ÒIÕm not sure about that outfit.Ó



ÒBlue and green go together! TheyÕre in the same color family!Ó 



And the fuchsia? Arguing was pointless, particularly before the first mimosa of the day. Shielding her eyes from CaseyÕs lime green and blue ensemble, Mary merely nodded. She was pouring the champagne when the door slammed, followed by a thud and a loud, strangled cry. 

A square of blue was caught in the door. 



Mary finished the drink, and then opened the door. Casey fell at her feet, gasping, rubbing her neck. 



ÒHave you ever heard of Isadora Duncan, dear?Ó

8. Love Minus Zero

My love she speaks like silence. 



There was the look. Then she was gone.



Now, Alex is not Alex anymore. For this elusive silver moment—blades of light entrancing the chrome of the van, painkillers stealing through her veins—it does not matter. 



She knows there's no success like failure—and that failureÕs no success at all.

The van gallops, clumsy over a dark bridge, a bucking bronco that nearly throws an agent from a plush seat. 



In ceremonies of the horsemen



These are the true makers of laws—men with guns. Not her. How she ever believed otherwise is now a mystery.



Even the pawn must hold a grudge.

 

9. Photograph

ÒPardon me.Ó The dog-walker handed her a photograph. ÒThis fell out of your book.Ó



Bermuda. Sun, wine, the breeze from the balcony that pressed your bangs against your forehead. Watching you watch me with those dark eyes. Your hands, twitching in sleep. Teeth flashing bold as a blade as you bit into a mango, the juice dribbling upon your shirt. Your embarrassment as I kissed you then and there, in public, caring only for the finest drops secreted away within your mouth—the smallest of gifts are always worth every foolish risk. 



The photoÕs edge cleaved AlexÕs thumb. ÒThanks,Ó she murmured.

 

10. The Shrine

Casey stirred her rum and coke. ÒI mean, I really wanna ask her outÉÓ



Mary sighed. If she couldnÕt get Casey to shut up about Olivia Benson, her chances of getting laid that night would be nil. ÒHoney, give up. She has an Alex Cabot shrine in her bedroom.Ó



Disgusted, Casey wrinkled her nose. ÒReally?Ó



ÒAbsolutely. Photographs, candles, pair of glasses on a satin pillowÉÓ Mary finished another martini. 



Casey gnawed on a little plastic straw for several minutes. ÒHey!Ó



ÒHmm?Ó



ÒHow do YOU know that?Ó Casey accused.



Mary smiled. ÒItÕs a wonder how a little alcohol clears your mind, isnÕt it, dear?Ó

 

11. The First Day of the Rest of Your Life (Law & Order, original flavor)

 

Serena didnÕt know if it was the sunny, warm weather or the facial she got at the Oasis Day Spa yesterday, but when she awoke at 6 am, she felt imbued with a profound sense of purpose. 



Today was the first day of the rest of her life. Or something like that.



She arrived at work 2 hours earlier, anticipating the empty streets and barebones office staff, and literally kicked open the door to JackÕs office. 

ÒJack, IÕm totally prepared for the Kaufman case today. I feel good. IÕm on top of everything. In fact, from here on out, IÕm going to be the best damn ADA this office has ever seen.Ó Serena paused. ÒWhyÕre you wearing a flannel shirt and jeans?Ó 



Jack scratched his unshaven cheek. ÒSerena.Ó



ÒWhat?Ó



ÒItÕs Sunday.Ó

 

12. Haute Cuisine

A bet was a bet, and she had lost.

Alex insisted on a certain amount of protocol, however. So the skinny waitress with pink barrettes and an Atari t-shirt brought the can of Spam to their table and opened it with great solemnity, as if it were a bottle of the finest burgundy. Aristocratic nostrils quivering, Alex sniffed the proffered tin. She hummed throatily. 



Olivia squirmed. She loved that noise.



ÒGrilled?Ó Alex asked. 



The girl nodded. ÒWith apple chutney and asparagus tips.Ó



ÒFabulous.Ó



Olivia smirked. ÒIÕll believe it when you eat it.Ó



ÒDidnÕt you say that on our first date?Ó

 

13. Lapsus Linguae

The pillow is a sachet of perfume, wine, lust. She buries her face in it.

On the edge of the bed Alex sits, still dressed, still triumphant, still deliciously drunk. ÒAs I was rudelyÉwhen I was sayingly interrupted.ÉÓ Her skirt rustles. 



Olivia risks a glance back, sees only the white collar, flaring like a doveÕs wing, against the black jacket.



ÒDonÕt look. Listen: In vino veritas.Ó AlexÕs voice gathers new clarity. She drags the smooth edge of her glasses along a bare thigh. ÒCorpus.Ó Her hand follows. ÒIn flagrante delicto.Ó Her mouth is the final instrument in this symphony, this celebration. 



Olivia stiffens, cries out. Her body is the language that Alex speaks, sings, chants with even more passionate reverence than the Latin she so adores. 



ÒLapsus linguae,Ó Alex whispers the words, now alive, against OliviaÕs skin.

 

14. O Canada

For the hundredth time Olivia stared at the piece of paper proclaiming her marriage to one Casey Novak. Stupid extradition hearing! Stupid jello shots! 

As with the previous 99 times, her skull throbbed and her hangover cackled madly, not unlike Bette Davis in Whatever Happened to Baby Jane?



Casey tossed underwear into a valise. ÒDonÕt worry. WeÕll get it annulled tomorrow.Ó She looked at Olivia. ÒOh. Next time you sleep with someone, try to remember—calling out the name of your dead girlfriend is not a turn-on.Ó



ÒSlip of the tongue,Ó Olivia muttered. 



Casey narrowed her eyes. ÒLike that tongue is capable of making a mistake.Ó

 

 

15. DeadmanÕs Tales (Law & Order: CI, Eames/Goren)

 

She breathes a little smoke into his face. Smoking is her God. She started the minute he disappeared, promising that sheÕd stop when he returned. 

He came back. Rather, someone looking like him came back. She didnÕt stop.

ÒWhereÕs the body?Ó she asks gently. 



While she worships her God, he believes in the religion of snapped necks. ÒCrashing somewhere in New Guinea,Ó he whispers, eyes closed. 



Earlier she had watched him nap on her couch. His sleep resembles the texture of rust—ancient, hinting at former glories. In the past he was always taking potshots at his colleagues while finding the murderers. Now he prowls the wasteland for bodies of his own creation. "You got no bones, no proof.Ó 



ÒWhy the hell did you do it, Bobby?Ó AlexÕs voice is thick with grief. 



ÒI was—tired. There is a new war everyday—inside.Ó He points at his chest. "ItÕs melted down to small black amulets. To nothing."

 

 

16. When the Rodeo Came to Town

It wasnÕt Halloween and it wasnÕt Gay Pride Day. But damned if there wasnÕt a cowgirl in her bar, asking for Jim Beam, neat, in husky-honeyed tones as sweet as the bourbon itself.

 

ÒSo,Ó Olivia said. ÒYouÕre with the circus.Ó

 

ÒYes, maÕam. First time in New York.Ó The cowgirl downed the shot and grinned as wide as Texas.

 

ÒWhat do cowgirls do for fun?Ó

 

ÒRope tricks.Ó Another ridiculously huge smile.

 

ÒI see.Ó

 

ÒNo, you donÕt.Ó The cowgirl leaned across the bar and whispered low. ÒBut I can show you, maÕam, if you think you may be interested.Ó

 

ÒWhy yes, Cowgirl Carmichael,Ó Olivia purred, ÒI think I might be.Ó

 

 

17. Feed Your Head

 

ÒIÕm worried about her.Ó Elliot passed the joint back to George.

 

ÒWhy?Ó

 

ÒSheÕs been acting weird since we hired Alex—Ò

 

ÒWho?Ó

 

ÒThe new nanny. Anyway, sheÕs like, all uptight and nervous, spending all her time on the firing rangeÉÓ

 

ÒYou really should let her shoot in the backyard.Ó

 

ÒAfter I got out of the Peace Corps and we got married, I was like, ÔLiv, no guns in the house, I donÕt care if you were a Marine.ÕÓ

 

ÒDude, listen. IÕm your best friend and your dope dealer. IÕve been telling you for yearsÉOlivia is, like, repressed. The solution is obvious.Ó

 

ÒHuh?Ó

 

George smiled. ÒThreesome!Ó

 

ÒDude!Ó Elliot was ecstatic.

 

They high-fived.

 

18. The Nanny


ÒYou fed the kids cheeseburgers again. Elliot will freak. You know heÕs vegan.Ó



ÒIÕm so sorry, Mrs. Stabler.Ó



ÒYeah, that is about the most sincere smirk youÕve had yet.Ó Olivia pressed the nanny against the counter. ÒYou like pissing me off, donÕt you?Ó



ÒYes, Mrs. Stabler.Ó



ÒYou keep it up, you might end up back at Mrs. PetrovskyÕs boarding house. Now that you wouldnÕt like, would you?Ó



ÒOh no, Mrs. Stabler.Ó



ÒDidnÕt think so.Ó



ÒUm, Mrs. Stabler?Ó



ÒMmpf?Ó



ÒHe doesnÕt like it if we start without him.Ó



ÒToo fucking bad. This is what he gets for finishing off the stash this morning.Ó

 

19. The Morning After

Great sex. Really great sex. ElliotÕs eyes opened. But not with my wife.

 

Daylight scorched his retinas. He couldnÕt bear to look at the figure beside him. So who the fuck did I fuck? He smirked. Cabot. We were flirting all night. Then he frowned. But she was also flirting with Liv. And Fin. And Munch. And the caterer. And the councilmanÕs wife. And—

 

A quick glance revealed a dark head upon a pillow. It must be Olivia. Shit. This screws up everythingÉbut wait. She left before meÉ.

 

The mystery woman stirred, groaned, and smacked his ass. ÒI donÕt know about you, Mr. Sexy Victims Unit,Ó growled Lena Petrovsky, Òbut I sure as hell could use a Bloody Mary.Ó

 

20. Nessie

 

She couldnÕt blame drugs or booze. Stone-cold sober, Alex watched the twentieth centuryÕs most famous chimera, the Loch Ness Monster, frolic innocently at the fabled lakeÕs edge.

 

She lowered the binoculars. ÒGod.Ó

 

More amazed at AlexÕs awestruck reverence for the creature than the beast itself, Olivia only nodded. ÒYep.Ó

 

ÒDamn it, they wonÕt believe us. That stupid sheep ate my camera.Ó

 

ÒTheyÕll believe.Ó

 

ÒHow—Ò

 

Olivia whipped out her Glock. A single shot took Nessie down.

 

Smoke curled through the air.

 

ÒShit.Ó Olivia holstered her gun.

 

Alex glared at her. ÒWhat?Ó

 

ÒI dunno how IÕm going to sneak it through customs.Ó

 

21. Twins

 

ÒGuess you had a good weekend.Ó Cragen tossed The New York Post on OliviaÕs desk.

 

Olivia had long wondered if she would be the eventual cause of the CaptainÕs renewed drinking. The paper was open to Page Six; words didnÕt need to accompany the grainy photo, but nonetheless did: ÒThe resounding success of the Olson TwinsÕ remake of ChekhovÕs Three Sisters, entitled Three Sisters Minus One! had the girls in a celebratory mood Saturday night at CroBar in Chelsea, where they became extremely cozy with a female member of New YorkÕs Finest.Ó

 

ÒDamn.Ó Affectionately, Fin clapped OliviaÕs shoulder. ÒHope for your sake those bitches are legal.Ó

 

22. And the Church Bells Softly Sighed

 


On the last day of her first life she awoke early, anticipating the church bells that reminded her of the morning after their first night together and thinking about the moss gathered upon that memory—the hard hungry ache of her heart, the way Olivia asked her to stay last night and her idiotically defiant refusal, the men who wanted her dead—yet despite it all she kept going, because keeping one step ahead was the key, and so for the last time she walked out of her apartment, moving with an assured grace that she would never again possess.

 

23. Sedan

 

ÒCanÕt believe we have to interview that junkie again,Ó Fin muttered, stalking toward the sedan.

 

Munch followed his partner. ÒAt least itÕll be an entertaining afternoon.Ó As he opened the passenger door, his shaded, suspicious eyes focused on a gentleman who suspiciously resembled Jimmy Hoffa. HeÕs alive! I knew it!

 

Thus his distraction when two scantily clad women tumbled out of the car and onto the street.

 

While he never pegged Olivia for a boring, white bikini brief type, his suspicions about AlexÕs padded bra were, alas, sadly confirmed.

 

ÒDo people have sex in bed anymore?Ó Munch mused aloud.

 

24. Nice Girls Finish Last

Patience was a usually masochistÕs game. This time it wrought rewards: Alex on her doorstep, surrendering. Her hands skimmed fabric so smooth it could melt through her fingers. ÒNice dress.Ó



ÒYeah.Ó AlexÕs voice was a Debussy etude—a soft, beguiling narcotic. ÒWellÉit was a nice date.Ó



ÒNice, huh?Ó The dress rippled like the sea and she plundered the ivory skin beneath: thigh, hip, and the soft nexus that made Alex arch, catlike, offering the wanton bareness of her throat, releasing a plume of a dizzying, lavish scent.



ÒBut you know—Ò Her lips were now on OliviaÕs ear, sampling the intricacies of sweet skin. ÒI donÕt like Ônice.ÕÓ

 

25. Hannah and Her Sisters

ÒAll right. Proceed.Ó



ÒWhy do you have to write it down?Ó 



ÒI need evidence.Ó



ÒThis isnÕt fair.Ó



ÒYou started it. So letÕs go. After Hannah the Bar Slut there was—?Ó 



ÒJennifer.Ó



ÒAnd she—?Ó



ÒWorked with Hannah.Ó



ÒAh-hah. Bar Slut Number 2.Ó



ÒWell, it was their dadÕs barÉÓ



ÒWait. This Jennifer was HannahÕs sister?Ó



ÒSo what?Ó



ÒYouÕre skeevy.Ó



ÒDo you even know what that word means?Ó



ÒNo—but it doesnÕt sound good, does it? Continue.Ó



ÒLetÕs seeÉMarianne?Ò



ÒWhat about the Professor? Or Mrs. Howell?Ó



ÒVery funny. No, after Jennifer wasÉMiriam.Ó



ÒWhereÕd you meet her?Ó



ÒUh, same place.Ó



ÒOh, please donÕt tell me—Ò



ÒCan we stop this now?Ó

 

26. The Wife

The ceiling fan spun lazily above the stifling squad room. It offered little relief from either the heat or the relentless bickering of Fin and Munch.
Christ, when will they stop? Olivia slumped over her desk. 



ÒI told you I was sorry!Ó Munch shouted. ÒWhat more do you want from me?Ó



ÒIÕd like your balls in a blender, but ainÕt life a bitch!Ó Fin stormed out of the room. 



Olivia exchanged a sympathetic look with her equally miserable partner.


ÒYÕknow,Ó Elliot drawled, mopping his brow, Òthis just makes me glad I donÕt work with my wife.Ó

 

27. VacationÕs All I Ever Wanted


Summer, sweat, sea, sex: The ingredients of ecstasy. 



Abbie was extremely pleased with herself. Even as the gradient of night slowly hijacked the Cancun sunset, she basked in the glow of her perfect performance. 

Lengthening shadows darkened OliviaÕs too quiet, too-still form. Abbie panicked. Great. IÕve killed a sex crimes cop—with sex. The newspapers will love it.

ÒHey.Ó She nudged Olivia.



Who, thankfully, responded: ÒMmm.Ó



ÒIt was good, right?Ó



ÒMmm.Ó



ÒLike an A+ kind of good?Ó



ÒAn A, definitely.Ó



ÒWhy just an A?Ó



Olivia rolled over and looked at her. ÒYou lose points for screaming ÔRide Ôem, cowgirl.ÕÓ

 

28. My Fair Casey

 

After falling upon her bony ass for the twelfth time in fifteen minutes, Casey cried, ÒIÕll never master walking in heels!Ó

 

Mary took a sip from her flask and knelt down. ÒThere, there, poppet.Ó She cupped CaseyÕs chin. ÒWeÕll do it. We got through law school, remember? Now stand up.Ó

 

Like a newborn colt on acid, Casey wobbled to her feet. Again Mary began to pile the skull-crushing trio atop CaseyÕs head: Ulysses, War and Peace, and—Bill ClintonÕs memoir.

 

Casey groaned. ÒWhy do there have to be so many?Ó

 

ÒWould you rather read them, dear?Ó

 

ÒAre you kidding me?Ó

 

29. Oliver Twist

 

The beautiful, tuxedoed man gathered her hand in his own. In a gallant show of old world manners, he brushed his Ganymede lips against her knuckles. ÒMrs. Cabot,Ó he murmured. ÒAlex has told me so much about you. May I get you another martini?Ó

 

She nodded. He disappeared. She turned to her daughter. ÒWhatÕs his name again, dear?Ó

 

Alex smirked. ÒOliver.Ó

 

ÒHeÕs adorable. But darlingÉare you sureÉÓ

 

ÒWhat, Mother?Ó

 

She spoke sotto voce. ÒAre you sure heÕs not gay?Ó

 

ÒNot in the way you think.Ó

 

ÒI havenÕt the faintest idea what that means. Thank God heÕs getting me another drink.Ó

 

30. YouÕre Fired (Law & Order, original)

 

Fuck it, she thought.

 

For one night, Serena sloughed off the humiliation of failure, seeking comfort in what she knew: The bar—her bar—and its denizens. There she would find acceptance in a beer on the house, a gentle hand on her shoulder, a sympathetic wince. And later she would attain the state of forgetting while pinned under the body of a beautiful yet familiar stranger, whose hands and mouth traversed her body with astonishing confidence.

 

And yet, something niggled. ÒWait,Ó Serena gasped.

 

The groping stopped.

 

ÒIs this because I was an ADA?Ó

 

Olivia blinked drunkenly. ÒWhaddya mean, ÔwasÕ?Ó

 

 

31. Long Island, 1977

 

The ice sculptures were heinous.

 

Liz Donnelly scowled, uncertain with whom she should be annoyed: Mary Clark, for inviting her to this fiasco, or herself, for masochistically accepting.

 

Lena Petrovsky, her colleague from the DAÕs office, sidled up to her. ÒYouÕve got guts, coming to your exÕs wedding.Ó

 

Liz shook her head. ÒIÕm an idiot.Ó

 

ÒCheer up.Ó Lena opened her purse: Nestled between birth control pills and breath mints was a tiny blowtorch. ÒWhat do you say we do a little work on these atrocities?Ó

 

ÒGod, Lena, how in the hell did you get that?Ó

 

ÒRemember: I dated the Galloping Gourmet.Ó

 

ÒWas this before or after Warren Beatty?Ó

 

ÒFrankly, I canÕt recall anymore. Now just relax and cover me. This fucking dolphin is getting on my nerves.Ó

 

 

 

32. The Luck of the Sidekick (Law & Order: CI)

 

ÒShe lets him in, they argue in the foyer, he knocks the drink out of her handÓ—here Eames gestures at the stain on the Oriental rug—Òshe runs up the stairsÓ—here Eames dashes maniacally up the stairs—Òto get away from him, you can see where her heel snagged on the runner at the top, she runs into the room, see that smudge on the door, she was eating a Godiva truffle, gets the gun. First shot hits the Hockney lithograph; the second ricochets off the bronze urn and strikes the victim right in the carotid artery. He falls down the step and breaks his neck.Ó

 

Triumphantly, Eames folds her arms.

 

Goren blinks. He hates it when she wears the lucky green shirt. ÒUm. Okay.Ó

 

33. Absinthe (Law & Order: CI)

 

She wasnÕt the tallest, the prettiest, the smartest, or the richest woman in the bar. Still, from that moment when, at the tender age of six, her father had anointed her with three simple, fervent words—you are special—she swaggered as if she were all these things and more.

 

Working with Bobby, she needed to believe that more than ever. But apparently, others believed it too. HeÕs got the brains, but youÕve got the balls, Deakins always said.

 

A woman, bold, handsome, and smiling, approached her. ÒWanna dance?Ó

 

Eames grinned. The fiery absinthe touched her lips. ÒWait your turn.Ó

 

 

34. The Revisionist

 

HeÕs divorced, sheÕs divorced. They laugh about it. ItÕs all they can do.

 

In the reflection of her glasses—still the same style, he smiles—he sees the glinting gray at his temple, and when she takes them off to wipe away tears he finally sees evidence of her age: Fine lines gathered around blue eyes, the toll of secret mourning.

 

ÒThey never told me how she died.Ó

 

He remembers OliviaÕs note. DonÕt tell her. Please.

 

And so Elliot begins the lie, the one thatÕs taken nearly 20 years to hone. ÒHow else?Ó he begins softly. ÒIn the line of dutyÉÓ

 

35. The Realization

 

ThereÕs nothing like a hostage situation involving a face-tattooed 300-pound schizophrenic serial rapist (with a penchant for pyromania) and the person with whom youÕve been having a secret torrid affair to make you realize youÕre terribly in love with said person (not the tattooed rapist) despite said personÕs incredibly tiresome habits, among them chewing ice cubes, carrying on one-sided, obscenity-laced dialogues with FOX News commentators, and passing out on the couch after drinking three-fourths of a bottle of cabernet sauvignon supposedly bought for you.

 

So when itÕs all over, youÕll say that clichŽd (yet no less meaningless) phrase to her. YouÕll even kiss her. In front of a local news camera crew.

 

And you wonÕt care.

 

36. The Cello

 

ÒI canÕt do it.Ó Melinda WarnerÕs confession was all the more startling for its expression in her usual, calmly confident manner.



 

The professor, however, was not surprised to hear this admission from his lovely, at times too-serious, star protŽgŽ. ÒYou put a lot on your plate.Ó



 

ÒI know.Ó 



 

ÒYou thought you could handle it.Ó



 

Melinda sighed. 


 

ÒMy dear,Ó he said, ÒitÕs asking a bit much of even the best and brightest to juggle being a medical examiner, a marine biologist, a concert cellist, and a part-time superhero.Ó



 

Wistfully she stared out the window. ÒIÕm going to miss the cello.Ó

 

37. Arrested Development

 

The drunken broad in the passenger seat of the BMW aligned herself for a perfect view of New YorkÕs Finest Breasts, which hovered tantalizingly close to her through the open window. She squinted at the badge that adorned one of these magnificent peaks. ÒSo, OfficerÉBensonhurst. Arrest me and molest me!Ó

 

Olivia merely rolled her eyes. Once her partner was satisfied with the driverÕs sobriety, the two officers sent the vehicle on its way.

 

As the BMW sailed down Broadway, the stone-cold-sober driver, one Francis Woodward III, glared at his miscreant friend and fellow law student. ÒHitting on a cop. Pretty fucking brilliant, Alex.Ó

 

ÒYeah,Ó Alex slurred. ÒI am pretty fuckingly brilliant.Ó

 

38. Russian Love Poem

 

The suspect reminded Munch of prototypical Eurotrash: unshaven, bleary-eyed, reeking of clove cigarettes, open shirt collar hinting at alarming hirsuteness, and spewing Russian poetry at the nearest female, in this case Olivia, who eyed him with the languid hostility of a housebound Siamese. 



 

Outside the interrogation room, Casey awaited them. ÒWell?Ó



 

ÒHe looks good for it,Ó Munch said. ÒIf we can poke holes in that alibiÉ.Ó



 

ÒGo talk to that guy.Ó



 

Munch blinked. ÒWhat guy?Ó



 

Casey rolled her eyes. ÒThis Pushkin guy he keeps mentioning! ÔPushkin said this, Pushkin wrote that!Õ Obviously theyÕre buddies!Ó



 

Munch removed his glasses, melodramatically clapping a hand over his eyes. 



 

ÒDonÕt even try to tell her,Ó sighed Olivia.



 

Casey frowned. ÒWhat?Ó

 

39. GravityÕs Consequences

 

At midnight there was no one to kiss. Elliot had been preemptive; heÕd given her a brotherly buss upon the cheek an hour before, before the music erupted out of the cheap tinny speakers, before streamers slithered upon the air.

 

She hated parties. Minutes after midnight she slinked upstairs to be alone, hand curled tightly around a tumbler of chilled gin. In an empty bedroom full of coats she opened a window. The night flooded in. She leaned forward.

 

Let me fall out of the window with confetti in my hair. With a drunken ballerinaÕs grace she swayed, waiting for gravityÕs consequences.

 

40. Romeo Void

 

Perhaps in another context, Olivia would have recognized the thrill of the hunt: Closely following on AlexÕs heels, she turned the corner with long strides, nostrils flaring, heart slamming, blood chanting, aware only of her own beauty blossoming within the desperately powerful presence of lust.

 

They burst through the bathroom door like rowdies in a saloon and within seconds she pinned Alex against the ancient tiles, elegant wrists bound in her grasp. ÒYouÕre driving me crazy.Ó



 

ÒI know.Ó Alex whispered. ÒI like you. But—Ò



 

Olivia awaited rejection.


 

Instead, Alex breathed an embrace: ÒI might like you better if we slept together.Ó

 

41. The Pig

 

ÒItÕs a good deal,Ó she advised her client. She sat in the chaise lounge, kicked off her flip-flops, popped opened another Snapple. ÒYou should take it.Ó



 

ÒThe pig is mine!Ó



 

ÒItÕs a nice pig. But not worth the fight.Ó



 

ÒItÕs the principle of the matter! I will fight this all the way to Pago Pago if I must!Ó 



 

She shrugged. ÒIf you insist.Ó



 

ÒYou are a strange woman. IÕve never understood why someone like you is here—practicing law in the middle of nowhere.Ó 



 

The bright summer sun glinted off her sunglasses. ÒThe rat race got sick of me.Ó

 

 

42.  As You Eat It

 

OLIVIA: The Fates bring me the Fortune of the gutter,

Mine eyes, downcast, behold futilityÕs spin—

A fanciful orb—stale doughnut!

 

FIN: Foul and atrocious thing!

See how it lays, putrid and hard.

Lady, it doth besmirch thy fine character.

 

OLIVIA: O doughnut! Vexed I am.

Yet in innocence did I conspire to keep thy fresh.

Thy blind eye, doughnut, doeth not see—

he whose careless hand brought timeÕs crust upon thee.

 

FIN: The stouthearted Elliot, while covetous,

would do no harm. But Alex—

 

OLIVIA: Speak no further!

 

FIN: I shall. Your wench is wicked.

Vainglorious is she, with Prada in her heart.

 

OLIVIA: And if true? Advise me thus.

 

FIN: Victorious she shall be this morn,

And prizes she shall seek. Look for

PowderÕd sugar upon her lips.

Then, Lady, seize the moment—

and smack thy bitch up.

 

43. TV Guide: Me & Bjork, 9 p.m., Tuesdays

 

Alex (Stephanie March) is mortified when roommate Bjork (herself) invites her a cappella group—consisting of a flock of swans, seven yodeling Swiss midgets, and a psychic gynecologist (Shirley Knight)—to temporarily move in. Complications ensue when Stabler (Christopher Meloni) accidentally kills a swan during an interrogation session. Meanwhile, Benson (Mariska Hargitay) grows increasingly closer to BjorkÕs masseuse/hairstylist (special guest star Maria Bello).

 

44. The Dream

 

His breath smelled faintly of lunch—a ham calzone. His lips, shockingly soft, pressed hers. His kiss ignited something, a deliciously aching desire—

 

Gasping, Olivia sat up in bed. Third time this week. ItÕs gotta mean something. She rubbed her aching neck. DonÕt be stupid, Benson. You know what it means.

 

She nudged the body on her right. ÒIÕm going out.Ó

 

A muffled rejoinder: ÒWhat for?Ó

 

ÒCalzone from VinnyÕs. Want one?Ó

 

Mary-Kate jumped. ÒLike, hello! I just got out of rehab!Ó

 

ÒWill you bitches puh-lease shut up?Ó Ashley piped up from the bedÕs other side. ÒIÕm, like, trying to sleep!Ó

 

45. The Rise and Fall of the City of Monogamy 

 

He thinks if he stands still nothing will happen. Few dare to broach his space, even fewer receive an invitation. But she dares. She is in flight across the room, a distant winged shadow moving ever closer, until she is there, facing him, pressed into him as if they could merge, as if they could fuck and burn right through the meaningless barrier of clothing. Her boldness is legendary—itÕs what gets him about her. But it is her unexpected gentleness—her hands cupping his face, her mouth drinking, with every delectable inhalation, from his kiss—that unravels him.

 

46. Your Own Personal Jesus

 

Since Kathy left, Elliot sought a predictable solace. But the church that had always quietly awed him—with its incense, its rituals, the delicate rush of benediction, the softly uttered Latin—didnÕt help.

 

He felt guilty seeking a new church, but God is God, right?

 

The change exhilarated him—at first. God may be God, but pain and loss were just as immutable.

 

He still went. As did Olivia, who had so fervently converted him, and who now slept through the sermon.

 

But even over the relentlessly throbbing techno, he swore he could hear the gentle scrape of the twenty dragged along the stripperÕs abs, and he thanked God he could feel anything, even the coarsest desire.

 

47. Practical

 

The baby blue Tiffany box was a ruse. ÒItÕs—Ò Alex began dismally.

 

Ò—a Swiss army knife,Ó Olivia finished proudly. ÒItÕs got a pair of scissors—remember when you had a string hanging off your skirt and I had to bite it off—?Ó

 

ÒMmm. You know how to ruin a girlÕs fun.Ó

 

Ò—and itÕs got a toothpick, so next time youÕre in court you wonÕt have arugula stuck in your teeth—Ò

 

ÒI did not lose a case because of lettuce. How stupid do you think people are? DonÕt answer that.Ó

 

ÒAnd thereÕs tweezers—Ò

 

ÒOh, look. A tiny knife for stabbing my lover.Ó

 

ÒThatÕs not funny.Ó

 

48. Interview

 

She fixed her stockings, smoothed her skirt, hoped her post-coital blush was gone, and casually limped out of the stall.

 

The woman was still there, meticulously washing her hands. Only minutes before, those hands had conjured bliss from AlexÕs body. As the stranger reached for paper towels, Alex caught the glint of gunmetal holstered upon a belt.

 

How in the hell did I miss that?

 

A sheepish grin. ÒDonÕt worry. IÕm a cop.Ó A name, BENSON, was visible on the shield flashed at Alex.

 

Having interviewed with the Manhattan DAÕs office that afternoon, she took this, with characteristically brazen disregard, as a good sign.

 

49. Margaritaville

 

She wasnÕt sure which one she liked best: The brunette or the brunette.

 

ÒYou werenÕt really a lawyer in New York, were you?Ó one cooed.

 

Passing a fresh martini, the other one sensually brushed against her. ÒI believe it—you look the part.Ó

 

The former Alex Cabot took the proffered drink, basking in the glow of more flirtatious attentions than sheÕd received in eons. She smiled, lounging seductively in the deck chair, the sun warming her face.

 

Until a certain boss rather cruelly kicked said chair. ÒTable Seven—margarita pitcher. Get your ass behind that bar and start mixinÕ now!Ó

 

50. Reunion

 

It wasnÕt supposed to happen. Which, of course, meant that it did.

 

It wasnÕt supposed to be anything but a futile attempt at reclamation. It wasnÕt supposed to be anything but Alex hearing her real name, spoken tremulously, bathed in sex, where words break apart like glass, shattering and shimmering upon impact.

 

Afterward, Olivia lay entombed in the slab-like hotel bed while Alex traced the lines of her cheekbones; that single gesture unraveled a flimsy heart sorely unprepared for another loss.

 

ÒSo.Ó Triumphant but tender, Alex smiled in the dark.

 

ÒHmmm?Ó

 

ÒWhat the hell have you done to your hair?Ó

 

51. The Cat

 

YouÕve ruined me for other women, sheÕd said to Olivia that night.

 

Hell-bent on not repeating the past, she'd completely avoided what passed as Òthe gay sceneÓ in the area and carefully picked a decent man. That she failed to notice how dark bangs boyishly fell across his brow just so, his gentle brown eyes, the sensual curve of his lips, and the dazzlingly rare smiles that occasionally broke through his sweetly solemn demeanor, told Alex--tragically after the fact--that sheÕd been ruined for the entire species.

 

The van tore through the dark night. IÕm so getting a cat this time, she thought grimly.

 

52. The West Palm Beach Ladies

 

ÒSheÕs alive!Ó Liz Donnelly shut off the cell phone and cackled joyfully at the sun. ÒAlive!Ó

 

Mary Clark looked up from a copy of Vanity Fair. ÒWho?Ó

 

ÒCabot!Ó

 

Mary took this in. ÒYou mean Benson finally found a way to clone her?Ó

 

ÒNo, smart ass, sheÕs been in Witness Protection the entire time.Ó

 

Mary sipped her Bahama Mama and thought, with fleeting sadness, of Casey. ÒPoor poppet,Ó she sighed.

 

Liz rubbed her hands together with glee. ÒI canÕt wait to tell Lena. Where is she?Ó

 

ÒOn the beach, of course.Ó

 

ÒThatÕs odd. I didnÕt see her down there.Ó

 

ÒThe nude beach, dear.Ó

 

53. The West Hollywood Woman

 

ÒHave you ever been in love? There are many kinds of love. There is the tepid love that pours forth bitter and twisted, the spittle of a dying beached whale upon the swollen sands of lust. Then there is the love pulled out of you like a tampon thatÕs been in too long, a bloody chopped-off finger wriggling inside you—organic? Not organic? No one knows. But it points at you, red and accusing. My heart, thatÕs what it is.Ó

 

Jenny Schecter paused dramatically, gnawed on a hangnail, slurped her cappuccino.

 

ÒWow,Ó Casey breathed. ÒThatÕs amazing.Ó

 

ÒReally?Ó Jenny whispered, closing her chapbook.

 

ÒThe bestest ever.Ó

 

54. The Alexiad

 

Sing in me, O Muse, of the woman,

the clever Cabot, the woman of many twists and turns,

who plundered the halls of justice for ambitious gain

until her exile from the land of Manhattan.

Many blights of suburbia did she see,

many manvils did she endure while heartsick within the WPP,

while striving to avoid the burning shame of shopping at Wal-Mart

and the reckless ways of the local Starbucks.

Blinded neither by Cyclops nor Pantene locks,

the rainbow-sweater warrior set upon the skim-milk latte sea

for reclamation of both her lost queendom and her butchy, sulky Penelope.

 

55. Exile

 

Snow and loneliness,

summerÕs ripening wheat, and

the heartÕs bitter tang.

 

56. Morning

 

 

Good morning, sunshine!

The gun and the coffee are

rivals for her mouth.

 

 

57. The Boxer

 

A savior of bleakness, the bare light bulb presided over the basement.

 

Stabler flexed his arms. Smooth, undulating muscles indicated that he was, if completely numb, at least alive. Life was movement. But he was going nowhere: His marriage long over, his badge long gone, he was distilled into the embodiment of rage.

 

Illegal boxing paid the bills; he was getting too old for the racket, but didnÕt care. When he needed extra, though, there was this.

 

His hands wrapped around the victimÕs neck. ÒMr. Profaci wants his money.Ó

 

He hesitated only at the remembrance of gently touching someone.

 

 

 

58. The Interrogators

 

ÒYou might be interested to know,Ó Munch said, dropping a folder on the table, Òthat your partner is looking at twelve to twenty upstate—if heÕs lucky.Ó

 

Silence.

 

Fin smoothed his silk tie. ÒNothinÕ to say, huh? ThatÕs cold.Ó

 

Her voice broke. ÒHe lost more than I ever did. He lost it all.Ó

 

ÒCÕmon, baby,Ó implored Fin. ÒHow long you gonna protect that blonde?Ó

 

ÒThink about it.Ó Munch added. ÒSheÕs in a penthouse. YouÕre in a prison.Ó

 

ÒWell,Ó Olivia said ruefully, Òshe always said sheÕd keep me somewhere safe.Ó

 

 

59. The Blonde

 

An elegant leg drapes over a chair arm. Cigarette smokes scrolls above her blonde head, like a secret song crooning to Olivia and no one else: YouÕre mine. Like the coolest martini in the house, she sweats sophistication. Like the husky-sweet rumble from an alto sax at three in the morning, she performs the most delicate damage, burrowing insidiously inside OliviaÕs heart.

 

She rises from the ashen dusk, walks across the room. ÒYouÕll take care of it, wonÕt you?Ó

 

Her mouth is on OliviaÕs. The aftertaste is bitter and blistering, sex and blood upon the lips.

 

Olivia canÕt get enough of it. ÒSure. Nothing says ÔI love youÕ quite like murder.Ó

 

60. The Turn of the Screw

 

For an old broad, Liz Donnelly still had damn good legs.

 

And as any of his exes would confirm, John Munch was certainly a leg man. ÒIÕm not usually charmed by snitches,Ó Munch said, Òbut there is something about you.Ó

 

ÒAside from my legs, Detective?Ó Liz arched an eyebrow.

 

Caught, Munch smiled. ÒYouÕre very observant.Ó

 

ÒAnd youÕre very obvious.Ó

 

ÒWhat made you change your mind about coming forward? You and Cabot were once so—close.Ó

 

Liz tapped a cigarillo against the table. ÒI had a friend in college who cultivated a fun, and occasionally insulting, parlor game. He liked to sum up people with titles from English plays.Ó The spark of a lit match hovered before her tired face; she thanked him and continued. ÒHe was particularly fond of tragedies, Jacobean dramas—Ò

 

Munch waited patiently. Every criminal was a storyteller, and he a rapt audience.

 

Ò—you seem like a well-read man, Detective.Ó Her eyes glinted.

 

ÒYouÕre very flattering. The operative word here is seem, Ms. Donnelly. But please tell me what this particular summation of Alexandra Cabot would be.Ó

 

Dragonesque, Liz spewed smoke. ÒÕTis a pity sheÕs a whore.Ó

 

61. The Last Kiss

 

She refused to believe they were coming for her. No, Alex thought, they were coming for the woman who sat sprawled, cavalierly dying, in the lush Italianate leather chair behind her desk. She rather hoped that Olivia would not bleed excessively; she was quite fond of that chair. But a bullet in the stomach was always a messy thing.

 

In the darkened office the sirenÕs rhythmic red painted a metronome along the walls.

 

For whom the siren wails? It wails for thee. Alex thought of saying it aloud; Olivia, an English professorÕs daughter, would surely appreciate the allusion.

 

But Alex felt strangely guilty. Yes, she was responsible for that slug in OliviaÕs gut, but it had to be done. DonnellyÕs testimony had afforded Olivia the luxury of a deal—and freedom.

 

ÒYou know something?Ó Alex could feel her throat tightening. Had she been a good woman, she would have welcomed this, the irritating stranglehold of love. ÓI really will miss you when youÕre gone.Ó

 

Leaning over, she ensnared Olivia one final time with the feverish bounty of her kiss.

 

No sooner had their lips parted then a gun barrel, thickly menacing, pressed into her pale, lovely throat.

 

ÒWell, baby,Ó Olivia rasped, ÒI think IÕd like to take you with me. You know why?Ó

 

Alex knew it was too late. ÒWhy?Ó

 

ÒHell might be a lonely place.Ó

 

62. End Times

 


ÒYouÕre taking everything pretty well.Ó 


 


ÒMmm. Coffee. Good.Ó


ÒCÕmon. Seriously.Ó


 


ÒMy faith gets me through somehow.Ó 


 


ÒItÕs not every day that frogs rain down on Manhattan.Ó


 


ÒScraping the windshield was a bitch.Ó 


 


ÒAnd thereÕs peace in the Middle East.Ó



 

ÒYou figure they must be tired of fighting by now.Ó



 

ÒThe Red Sox won the World Series—again.Ó 



 

ÒEvery dog has its day.Ó 



 

ÒAnd Munch has become a ScientologistÉÓ 



 

ÒFreaks attract freaks, ya know?Ó 


 


ÒBut you didnÕt see this, Elliot: CaseyÕs outfit this morningÉÓ Olivia paused, then choked it out: ÒIt matched.Ó 



 

Terrified, Elliot stared into the sky. ÒWeÕre fucked.Ó

 

63. The Confession

 


Was it really so long ago? And here, in this remote Warwickshire town?



 

The Lotus Elan coursed smoothly through the countryside, while the wind tormented Emma PeelÕs dark hair in a fashion similar to certain thoughts rampaging through her mind:

Boarding school.

 

Frightful clichŽ, Steed had said when she told him.



 

It gets worse, she had replied. 



 

Walks in the woods, the saturating scents of untamed violets and marigolds. An unforgettable day exploring castle ruins. And the first day they met: A magnificent stranger laying siege to her rooms, immaculate in fencing whites, brandishing an epŽe, blonde hair cascading with the calculated removal of her mask: Alexandra Cabot.

 

 

64. Blackmail

 

ÒWell, Counselor,Ó Olivia drawled, Òthe DNA tests are conclusive.Ó

 

Alex remained unperturbed. ÒDonÕt you feel bad, wasting WarnerÕs time like this?Ó

 

ÒNaw, baby. She loves me. But thatÕs beside the point. ItÕs a match.Ó Olivia lowered her dark eyes. ÒIÕve got you, my pretty.Ó

 

ÒHowÕd you get my DNA?Ó

 

ÒTea cup.Ó

 

ÒBitch.Ó Insults, however truthful, would do no good. ÒNow what?Ó

 

ÒGoes in my blackmail box. Next to the photo of Elliot sporting a mullet—which is pretty funny. But the fact that I am now in possession of a Che Guevara t-shirt once worn by Alex Cabot is priceless.Ó

 

65. PavlovÕs Detective

 

The first time had been funny. Maybe even a little sexy. The second time bewildering. The third, awkward. And now? She wasnÕt sure if the blush creeping across ElliotÕs face was a result of anger, desire, or both.

 

ÒYou canÕt do that any more,Ó he growled.

 

Olivia sighed. ÒIÕm sorry.Ó

 

Elliot grew contrite. ÒItÕs not like I donÕt like it.Ó He chuckled. ÒI mean, youÕre good.Ó

 

Now she blushed. ÒThanks. But—I just canÕt help it. I see the body bag—it just triggers it.Ó

 

He shook his head. ÒLiv, you gotta stop making out with Warner in the morgue.Ó

 

66. Chameleon

 

Fin and Olivia walked on ahead; Alex didnÕt mind—she was far too amused by their matching Òwe-are-seriously-the-shiznitÓ struts. 



 

After paying the bar tab, Elliot had finally caught up. He threw an arm over AlexÕs shoulder and grinned. ÒHavinÕ fun, Counselor?Ó



 

This sudden display of affection unsettled Alex. As this realization stole over her, ElliotÕs beefy arm curled around her neck like a python. She smelled beer and aftershave. Panic flooded her throat.



 

ÒIf you hurt her,Ó Elliot said with flat menace, ÒYou'll regret it.Ó

 

His arm sloughed off Alex like a discarded coat. Giggling softly, maniacally, he headed toward his partner. 



 

Alex touched her throat.

 

67. Conversations with Dead People

The first shot took him down. He crawled through the street, bloodied, crying for a mercy never granted to his victims. 

She caught up to him easily. 



 

You see him in every man you arrest.



He looked into her eyes.



 

You look for him in every dark-eyed stranger.


Her gun grazed his cheek. The barrel parted his lips tenderly, like a lover.



 

You searched my face, year after year, for answers. I never gave you any. Except in my last words: ÒYou were worth it.Ó 

You didnÕt believe me, I could tell. I know you. 



 

ElliotÕs hand curled gently around her wrist.

 

68. Just Another Day

 

ÒThe body was laid out in a ritualistic manner.Ó



 

ÒDuring World War II the Nazis in Romania had death cults...the romanticizing of death has very ancient rootsÉÓ



 

ÒWhat the hell?Ó



 

ÒOh God, make him shut up.Ó



 

ÒYou shut up.Ó


ÒYou shut up.Ó



 

ÒFuck you!Ó



 

ÒFuck you!Ó



 

ÒFuck both of ya! WeÕre gonna get it from—Ó



 

ÒHEY!Ó



 

ÒToo late.Ó



 

ÒPeople, what the hell is this? Kindergarten or a squad room? Everybody—take five.Ó 


 

ÒWow. Looks like I missed the fun. Bad day?Ó



 

ÒYeah.Ó



 

ÒSo itÕs not a good time to tell youÉ?Ó


 


ÒWhat?Ó



 

ÒIÕm not wearing any underwear.Ó



 

ÒAu contraire.Ó

 

69. Santa, Baby

 

The slender gift of an ADA plopped heavily into SantaÕs lap. ÒHoÉÓ Having consumed three whiskey sours over the past hour, it was all the ho-ing Santa could work up for the moment.

 

ÒWhoÕre you calling a ho?Ó Alex slurred.

 

ÒYou, trying to put SantaÕs hand up your skirt.Ó

 

ÒLove the outfit, but youÕve got to stop referring to yourself in the third person.Ó

 

ÒSanta doesnÕt care what you think, because youÕre a big pervert. Santa gets your dress blues fixation, but not this.Ó

 

ÒSanta?Ó

 

ÒHmm?Ó

 

ÒShut the fuck up.Ó Alex pulled off the fake beard, revealing OliviaÕs face, and silenced her with a kiss.

 

The door to the CaptainÕs office swung open. Mercifully, it wasnÕt Cragen but Elliot, who sighed in mock defeat. ÒDamn. Knew I shoulda been Santa this year.Ó

 

ÒWhatÕs wrong with being a reindeer?Ó

 

The LED lights in the antlers atop ElliotÕs head blinked indignantly. ÒThis is supposed to a costume partyÉbut Counselor, I havenÕt figured out who you are. Does the Grinch wear Armani these days?Ó

 

Caught out, Alex paused. ÒIÕmÉCindy Lou Who. All grown up.Ó

 

ÒThatÕs rich.Ó Elliot was still laughing as he left.

 

ÒSo Cindy Lou—whaddya want for Christmas?Ó

 

Alex smiled. ÒIÕll take Manhattan.Ó